The 1968 version of Planet of the Apes, directed by Franklin J. Schaffner, calls back to many of the cultural and political issues that
triggered an uprising in 1960s counterculture. Based off of the 1963 French
novel, La Planete des Singes by Pierre Boulle, the film
follows an astronaut, Taylor, played by Charlton Heston, who has crash-landed on an unfamiliar planet with his small
crew. Soon after, he is separated from his comrades and forced into slavery by
an indigenous and dominant race of apes.
The film touches on the American Civil Rights movement
through the brutality and disrespect shown to Taylor, although he decides to
oppose the movement’s theme of nonviolence. While in captivity, he is
incapacitated with a fireman’s hose, which was used during several civil rights
riots, most notably by Bill Connor
in Alabama against civil rights protestors in
1964.
Another political issue that the movie touches on is freedom
of speech. In Schaffner’s film, the humans are mute and Taylor, the one man who
can speak, is seen not as a miracle, but as a threat. The apes believe that he may
be a missing link, and fear that his existence is scientific heresy, which
could dismantle their society and the entire foundation on which their culture
rests.
There are other connections to issues like Feminism, through
the character Nova, given to Taylor as a gift but given no personality and dehumanized
even by Taylor himself, the Gay Liberation Movement through the apes constant
attempts to emasculate Taylor and his violent refusals, separation of church
and state, experimental advances in science through risky brain surgery
performed on Taylor’s friend Landon, played by Robert Gunner, who has been
subjected to a labotomy
that has rendered him catatonic, and more.
But, the underlying countercultural element that plays the biggest role in the film is environmentalism and the anti-war movement. The movie’s closing scene (no spoilers) shows the astronomical effects that nuclear war and the overuse of natural resources may have.
But, the underlying countercultural element that plays the biggest role in the film is environmentalism and the anti-war movement. The movie’s closing scene (no spoilers) shows the astronomical effects that nuclear war and the overuse of natural resources may have.
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