1. "Citizen Kane" is one of the most influential
films ever made. Discuss this statement.
Orson Welles’ Citizen Kane (1941) contained so many groundbreaking techniques
that it instantly became one of the most influential films of all time. The
entire premise of the movie is to solve the mystery of billionaire Charles
Foster Kane’s dying words, “rosebud”. This mystery provides acts as wonderful
bait in order to hook the audience’s interest as Welles takes them through an
elaborate investigation of Kane’s past.
There are many technical aspects to
Welles’ directing, such as the use of photography and lighting to help dominate
each scene with his own unique style. Welles’ even used the contrast between
lights and darks to help give his film and story a much more dramatic feel: as
the movie progresses Well’s incorporates more darks and shadows into each
scene, a way to have the environment reflect the downward spiral being
experienced by his character. Welles would even adjust all the light settings
himself, despite this not being the usual job of a director. He also used a
variety of camera techniques such as: steep angles, close ups, extremely low
shots, deep focus shots and crane shots
Another groundbreaking aspect of Citizen
Kane was Welles use of untried Hollywood
actors when composing his cast, 15 of whom he brought with him from New York
and had only acting experience in live theatre productions. And the film its’
self is difficult to place into a specific genre, as it contains film noir
aspects, as well as drama and mystery, and could even be seen as a newspaper
film. Citizen Kane also provided
a unique take on the act of storytelling. The use of multiple flashbacks from
several characters points of view, breaks up the film into sections and creates
a nonlinear plot structure. Welles was also the first to pair together montages
with dialogue/sound, creating a distinct fluidity to the story that had never
been experienced in films before. This is also enhanced by Welles’ use of
complex structure and off-point narrative.
2. What had Orson Welles done in his first 23 years to
warrant the Hollywood Film Industry offering complete creative control to a
first time film maker?
In his early 20s Orson Welles had
established his own theater company called The Mercury Theater. He immersed
himself in all aspects of the theatre, he was not only a star and a director
but he also was in charge with designing the sets, costumes, and lighting.
However it is easily said that Welles’ is most famous for
his adaptation of “War of the
Worlds” as a radio broadcast. His performance was so realistic, that listeners
tuning in actually thought Mars had invaded New Jersey, resulting in public
wide panic. Yet once it became clear that the report was in deed fiction, Orson
Welles popularity exploded exponentially. Soon Welles was contacted by RKO
requesting that he come to Hollywood. They signed him up to make two movies for
$225,000 and allowed him complete creative reign over his films. One of those
films being, Citizen Kane.
3. Pick an extended scene or sequence from Citizen Kane and
discuss the storytelling techniques by analyzing any combination of its
component parts (direction, writing, performance, cinematography, production
design, art direction, editing, sound, score, etc.)
One scene I found to be
particularly clever as well as important was the progression of Kane’s first
marriage done as a breakfast montage. At first the two seem so happily in love,
with a pleasant politeness and contentment just to be around one another, but
as time goes on we see that the relationship between the two of them becomes
more of chore then a pleasure, and soon we see that their marriage is in
shambles. In the beginning the lighting is bright and happy, with an upbeat
soundtrack playing softly in the background, the husband and wife are depicted
as young and almost glowing. The as we continue through their life together
shadows come into play, snappy and aggressive dialogue is emphasized by a tone
of announce, with its final stage being silence. The soundtrack has evolved
over this period of time to have a more somber quality, and as time passes we
see age creep into their faces with for the time is an incredible make-up job.
By the end of the scene the two have not only mentally distanced themselves but
physically as well, at the conclusion of the scene the camera shot pulls back
and we see that they are actually sitting at two separate ends of a very long
table.
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