The Hollywood Blacklist affected numerous producers, directors,
screenwriters, actors, musicians, and other entertainment professionals in the
1940s and 1950s. Those on the list
were denied employment from the studios based on their real or suspected political
associations and beliefs. Anyone
who was considered to be sympathetic towards the American Communist Party or
involved in any humanitarian efforts associated with that party were put on the
blacklist.
The
House Committee on Un-American Activities (HUAC) was formed in 1938 with the
sole purpose to investigate and get rid of Communist sympathizers in America.
They strongly felt that liberal ideas were being portrayed in Hollywood films
that threatened traditional American society. In 1947, the HUAC established the first Hollywood
Blacklist and instantly went after ten
writers and directors that refused to testify to the committee about their
political affiliation and was cited for being in contempt of Congress. These writers and directors were known
as the “Hollywood Ten.” The Ten consisted of Alvah Bessie, Herbert Biderman,
Lester Cole, Edward Dmytryk, Ring Lardner, Jr., John Howard Lawson, Albert
Maltz, Samuel Ornitz, Adrian Scott, and Dalton Trumbo.
The
HUAC held hearings with individuals in the film industry that were being
accused of being members or affiliated with the Communist Party, and
incorporating sympathetic material in their films.
J Parnell Thomas, HUAC Chairman
Opening hearings on Hollywood, October 1947
Dalton Trumbo, screenwriter, HUAC testimony, October 1947
In
November 1947, fifty members of the Motion Picture Association of America, the
Association of Motion Pictures Producers, and the Society of Independent Motion
Picture Producers gathered at the Waldorf-Astoria hotel in New York and issued
the Waldorf Statement, accusing the Ten for performing “a disservice to their
employees” and impairing “their usefulness to the industry.” According to the statement, “We will
forthwith discharge or suspend without compensation those (of the Ten) in our
employ and we will not re-employ any of the ten until such time as he is
acquitted or has purged himself of contempt and declared under oath that he is
not a Communist.” They threatened
not to hire a Communist or anyone that advocates the overthrow of the United
States Government. The very same
day MGM suspended Trumbo and refused to pay him $60,000 in fees, Fox fired
Lardner, and RKO fired Dmytryk and Scott.
The
Ten ultimately were cited for contempt after numerous unsuccessful appeals and
each spent up to a year in prison.
As a result of the blacklist, actors Humphrey Bogart, Lauren Bacall,
Danny Kaye, and director John Houston formed “The Committee for the First
Amendment” to protest against the accusations made against the film
industry. Protest efforts failed
and the lives and professional careers of individuals persecuted were forever
changed. On June 22, 1950, a
pamphlet called Red Channels appeared
that named 151 entertainment industry professionals that were accused of being
Communist sympathizers. Many of
them were not able to resume their film career because Communism was believed
to be the biggest threat to American society; those on the blacklist were
perceived as having leftist viewpoints and thought of as traitors by the
American public.
Anticommunist ad (1950)
http://en.wikipedia.org/wiki/Hollywood_blacklist
Blacklisting
changed the lives of hundreds of movie industry professionals. Many faced constant harassment from the
FBI and were rejected by their own society. The blacklisting practices continued well throughout the
1950s. The first signs of the
ending of the blacklist started in the late 1950s. First, John Henry Faulk, a comedy radio host, sued AWARE
(private firm that examined “disloyal” individuals) in 1957 and won the lawsuit
in 1962. The court decided that
blacklisters were legally liable for the professional and financial damaged
caused. Many individuals who were
blacklisted found work in television, mainly at CBS. For example, Alfred Hitchcock hired blacklisted actor Norman
Lloyd as an associate producer for the series Alfred Hitchcock Presents. Dalton
Trumbo was publicly acknowledged as the screenwriter for the films Spartacus
and Exodus in 1960.
Unfortunately, not everyone was able to find work. Lionel Stander, for instance, could not
find work in Hollywood until 1965.
Members of the Hollywood Ten and their families protesting
in 1950.
http://en.wikipedia.org/wiki/Hollywood_blacklist
In
December 2011, the Writers Guild of America announced that they have restored
full screenplay credit to Dalton Trumbo for his work on Roman Holiday with Audrey Hepburn and Gregory Peck, almost sixty
years after it won the Best Original Screenplay Oscar and thirty-five years
after his death. While Trumbo was
blacklisted he worked under different names or without credit. For the Roman Holiday, another writer fronted for Trumbo and secretly sent
him the payment for the work. The
original credit stated: “Screenplay by Ian McLellan Hunter and John Dighton.
Story by Ian McLellan Hunter.” The
full credit to the film now reads: “Screenplay by Dalton Trumbo and Ian McLellan
Hunter; Story by Dalton Trumbo.”
President of the Writer’s Guild of America West stated, “It is not in
our power to erase the mistakes or the suffering of the past, but we can make
amends, we can pledge not to fall prey again to the dangerous power of fear or
to the impulse to censor, even if that pledge is really only a hope. And, in
the end, we can give credit where credit is due.”
Dalton Trumbo
jimmarshallphotographyllc.com
Works Cited
http://www.scpr.org/news/2011/12/19/30417/blacklisted-writer-gets-credit-restored-oscar-winn/
http://muse.jhu.edu/journals/cinema_journal/v039/39.2lewis.html
http://www.hollywoodmoviememories.com/articles/hollywood-history/hollywood-blacklist-witch-hunt.php
http://www.wga.org/subpage_writersresources.aspx?id=1958
http://www.authentichistory.com/1946-1960/4-cwhomefront/1-reactionism/19471000_HUAC_Hollywood_Testimony.html
http://www.jstor.org/stable/1225550
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